AWACS

Around 12 o’clock today, a 38 year old man drove a Suzuki Swift at high speed towards the bus holding Beatrix, Queen of the Netherlands and her family, injuring 13 people and killing four. The queen and her family were celebrating Queensday in Apeldoorn.

This event joins the murders on Fortuyn and Theo van Gogh as one of the most serious in the (formerly) uneventful and politically stable Netherlands.

The mayor and police chief of Apeldoorn are currently giving a press conference. Festivities in Apeldoorn and Rotterdam have been cancelled.

Job Cohen, mayor of Amsterdam, has not announced any actions yet. Apparently the Amsterdam council is worried that stopping the festivities will cause chaos. As the full significance of what has happened is sinking in, their hesitation is looking more and more inappropriate.

Similarly, the decision by Dutch internal affairs minister Guusje ter Horst to leave matters to the council of Apeldoorn instead of taking charge, when everything indicates that there has been an assasination attempt on the Dutch Head of State, at a time where the Dutch monarchy is in a period of transition, shows a disturbingly bureaucratic sensibility that can only serve to deepen the disconnect between the people and the political class.

Mister mayor, shut down Queensday – now.

The sun burns hot on the mountains around Bassano. On the mountains, on the grass, on the pavement. Hot air tries to escape fom the hot fields. It turns into wind and rises up, up, up, taking paragliders and hanggliders higher, higher, higher.

The winds are strong – too strong to fly for us. We can only fly early in the morning, when the mountains are still asleep and the sun has not reached its full power yet.

Meanwhile Germans and Italians and Poles are celebrating. It is Easter, and they have come to see the Fiera Air sports festival. The terraces are full, the waitresses are stressed, the parking lot packed.

It is the final day of the festival. People are packing up and watching as the athletes perform their final feats. Cheering them on from the terrace, raising their huge pale yellow glasses of beer. They are preparing for dinner.

In the chipped flakes of paint on the side of the van;

And the faded directions on a washed-out sticker;

Where the yellow light scatters on wet asphalt spots;

And silver trails shimmer in oil-soaked concrete.

Where the seams don’t fit on old perspex signs;

And the dirt gets in.

In the faded remains of a sprawling brown stain;

Where the mold left a scar with a raggedy edge;

The smear of blue ink on a printed receipt;

The gravelly earth where the roads do not quite meet.

In the insect remains between glass and aluminum frame;

Drawn by the lure of a fluorescent flame.

The sign says: “Watch out! Bikes will really be removed!” (I’ll try to make a better picture when I come around again)

The city is littered with signs like that. It seems to be something that insurance companies require businesses to do in order to qualify for glass insurance. And, well, parked bikes can be a nuisance.

Normally I don’t pay attention to the signs. Few people do judging by the amount of bikes and bike remains littered throughout town. But this one stood out. Because it was attached to a locksmith business. That lends an acute credibility to the threat, and sure enough, no bikes to be found anywhere near the building.

Then there is stuff like the above, seen in France in 2004. According to the sign, this sad building belongs, or belonged, to Caron Securite. This ostensibly is a company that you can pay to look after you and your property. But for whatever reason, they clearly did not deem it necessary to extend the same service to their own property.

What happened here? Did the company intrude on someone else’s turf? Did an established competitor wish to forcefully express his disagreement with capitalist tenets such as competition and free choice? Or did the company have the electrical wiring installed by cousin Alain, who fell on his head as a child and accepts payment in pallets of wine? …

Alas, reality is less dramatic. This is a training ground used to recreate fires. On the other side of the building, a charred sign proclaims, somewhat ironically: “Contre le feu!”

Coffeeshop “Happyness”, 2001.

And then there’s times when irony descends into naked cynicism.

What cruel business man hides behind this travesty? Weighed down by sorrow and the daily grind, this is where the hopeless come for a few moments of forgetfulness. Not bliss, mind you. For getting stoned offers no escape, but is itself part of their Sisyphean suffering. They buy their Afghan, stir their tea, and smoke in silence. Then shuffle out the door to sleep a dreamless sleep. And wake to do the whole thing over again.

It is a life, to be sure. To be sure, there is a profit to be made and someone has to make it. But what heartless reptile paints this pit of despair in rainbow colors and calls it “Happyness”?

These billboards have graced our city the past couple of days. It’s impossible not to notice. There must be hundreds of them. Each has an immense portrait of Nicole Kidman. It is a beautiful picture. She looks straight into the camera, her face rising like a sun above the pink cloud of her dress, her hair a mesmerizing golden flame.

She doesn’t smile. Her expression is neutral. She seems to be waiting for something. But for what? It is not clear. This is the riddling Sphinx without even the riddle. Her beauty relieves her from the need to explain. Like the father doesn’t need to explain himself to the child, the beautiful don’t need to explain themselves to the ugly.

Favor flows uphill from the ugly to the beautiful. But why? Is it fair? Does beauty signify anything beyond the naked ambition of natural selection? If not, then what is the moral significance of beauty? By what token can the beautiful lay claim to their privileges, if their beauty is merely a reinforced random adaptation? Should not a fair society work to provide equal opportunities for the ugly?

Perhaps technology can reduce our dependance on physical beauty, in the same way that it reduced our dependance on physical strength. Would this help to emancipate the ugly? Or does it only help to reinforce the tyranny of beauty? Because if studies show that beautiful people live longer and healthier lives, and the technology exists to make even the most wretched person beautiful, then don’t the ugly have an obligation to make themselves more beautiful? And ultimately, wouldn’t then the state have an obligation to round up the ugly and send them to beautification camps?

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But what if there is more to beauty than evolutionary effort? What if we cannot live without beauty? Beauty ignites our passions, animates our thoughts, informs our intuition. Then we must pursue it relentlessly, worship it whereever we may find it, accept that it divides us.

Send out the ships of war! For so long as there is beauty, there never will be peace.